Difference between revisions of "Bibliography:EBC Bibliography 0322"

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{{EBC Bibliography entries
 
{{EBC Bibliography entries
 
|Name(s)=Holmes, M. R.
 
|Name(s)=Holmes, M. R.
 +
|Author additional information=Layman
 
|Title=The so-called «Bellarmine» mask on imported Rhenish stoneware
 
|Title=The so-called «Bellarmine» mask on imported Rhenish stoneware
 
|Year=1951
 
|Year=1951
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|Contained in=Antiquaries Journal 31 (1951), 173-179
 
|Contained in=Antiquaries Journal 31 (1951), 173-179
 
|Bibliographic level=Paper in journal
 
|Bibliographic level=Paper in journal
 +
|Polgar's categorization=Écrits polémiques
 
|Notes=Polgar 1675
 
|Notes=Polgar 1675
 
}}
 
}}
 
== Abstract<ref>Copied the journal website, [https://doi.org/10.1017/S0003581500076356 available here].</ref> ==
 
== Abstract<ref>Copied the journal website, [https://doi.org/10.1017/S0003581500076356 available here].</ref> ==
 
Just over a century ago Mr. William Chaffers read to the British Archaeological Association a paper in which he gave the name of Bellarmines to those mottled stoneware vessels, with bearded masks as their principal decoration, which were imported in large quantities from the Rhineland to be the regular tavern-crockery of Tudor and Stuart London. This paper, published by the Association in volume v of its Journal, appears to be the source of the popular belief, which almost everybody quotes and nobody checks, that the mask and jug were intended to satirize the features and rotundity of Cardinal Bellarmine, perhaps the greatest theologian of his time and certainly, to the hard-drinking Protestants of England, north Germany, and the Low Countries, the most redoubtable champion of the Church of Rome. Chaffers himself does not go so far as to claim detailed resemblance of face and figure, but says ‘if we can in any way rely upon the portraits of him thus handed down to posterity, he must indeed have been exceedingly hard featured’. On the other hand, he does specifically claim to be justified in ‘christening anew’ this type of vessel with the cardinal's name, and popular acceptance has done the rest.
 
Just over a century ago Mr. William Chaffers read to the British Archaeological Association a paper in which he gave the name of Bellarmines to those mottled stoneware vessels, with bearded masks as their principal decoration, which were imported in large quantities from the Rhineland to be the regular tavern-crockery of Tudor and Stuart London. This paper, published by the Association in volume v of its Journal, appears to be the source of the popular belief, which almost everybody quotes and nobody checks, that the mask and jug were intended to satirize the features and rotundity of Cardinal Bellarmine, perhaps the greatest theologian of his time and certainly, to the hard-drinking Protestants of England, north Germany, and the Low Countries, the most redoubtable champion of the Church of Rome. Chaffers himself does not go so far as to claim detailed resemblance of face and figure, but says ‘if we can in any way rely upon the portraits of him thus handed down to posterity, he must indeed have been exceedingly hard featured’. On the other hand, he does specifically claim to be justified in ‘christening anew’ this type of vessel with the cardinal's name, and popular acceptance has done the rest.

Latest revision as of 09:20, 30 November 2020

Holmes, M. R.. The so-called «Bellarmine» mask on imported Rhenish stoneware. (1951).

Name(s) Holmes, M. R.
Author additional information Layman
Title The so-called «Bellarmine» mask on imported Rhenish stoneware
Place of printing
Printer
Year 1951
Language(s) eng
Contained in Antiquaries Journal 31 (1951), 173-179
Bibliographic level Paper in journal
Catalogue description
Key Concept(s)
Distinction(s)
Keyword(s)
Polgar's categorization Écrits polémiques
Cited in
Digitization
Notes Polgar 1675


Abstract[1]

Just over a century ago Mr. William Chaffers read to the British Archaeological Association a paper in which he gave the name of Bellarmines to those mottled stoneware vessels, with bearded masks as their principal decoration, which were imported in large quantities from the Rhineland to be the regular tavern-crockery of Tudor and Stuart London. This paper, published by the Association in volume v of its Journal, appears to be the source of the popular belief, which almost everybody quotes and nobody checks, that the mask and jug were intended to satirize the features and rotundity of Cardinal Bellarmine, perhaps the greatest theologian of his time and certainly, to the hard-drinking Protestants of England, north Germany, and the Low Countries, the most redoubtable champion of the Church of Rome. Chaffers himself does not go so far as to claim detailed resemblance of face and figure, but says ‘if we can in any way rely upon the portraits of him thus handed down to posterity, he must indeed have been exceedingly hard featured’. On the other hand, he does specifically claim to be justified in ‘christening anew’ this type of vessel with the cardinal's name, and popular acceptance has done the rest.

  1. Copied the journal website, available here.