Difference between revisions of "Bibliography:AKC Bibliography 0406"
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|Bibliographic level=Book chapter | |Bibliographic level=Book chapter | ||
|Catalogue description=http://id.sbn.it/bid/VEA1246939 | |Catalogue description=http://id.sbn.it/bid/VEA1246939 | ||
| − | |Keyword(s)=Athanasius Kircher; Kircherian Museum; | + | |Keyword(s)=Athanasius Kircher; Kircherian Museum; Global History; Global Art History; Religious Art; Sacred objects; Material History; Museum Studies; |
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'''Book abstract:''' At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. | '''Book abstract:''' At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. | ||
Latest revision as of 21:36, 24 March 2020
Mochizuki, Mia M.. Connected Worlds—The World, the Worldly, and the Otherworldly: An Introduction . (2018).
| Name(s) | Mochizuki, Mia M. |
|---|---|
| Title | Connected Worlds—The World, the Worldly, and the Otherworldly: An Introduction |
| Year | 2018 |
| Language(s) | eng |
| Contained in | Göttler, Christine & Mochizuki, Mia M. (eds). The nomadic object : the challenge of world for early modern religious art / edited by Christine Gottler, Mia M. Mochizuki, p. 1-34. |
| Bibliographic level | Book chapter |
| Catalogue description | http://id.sbn.it/bid/VEA1246939 |
| Keyword(s) | Athanasius Kircher; Kircherian Museum; Global History; Global Art History; Religious Art; Sacred objects; Material History; Museum Studies |
Book abstract: At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history.
