Difference between revisions of "Bibliography:AKC Bibliography 0298"

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{{AKC Bibliography entries
 
{{AKC Bibliography entries
 
|Name(s)=Cavicchi, Camilla
 
|Name(s)=Cavicchi, Camilla
|Title=''La scena di iatromusica nella Phonurgia Nova di Athanasius Kircher''
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|Title=<i>La scena di iatromusica nella Phonurgia Nova di Athanasius Kircher</i>
 
|Year=2013
 
|Year=2013
|Language=ita; eng;
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|Language=ita;
|Contained in=Medicina & storia, pp. 75-88
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|Contained in=Medicina & storia, 13 (2013), pp. 75-88
|Bibliographic level=Book chapter
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|Bibliographic level=Paper in journal
 
|Digitization=http://www.academia.edu/5964880/La_scena_di_iatromusica_nella_Phonurgia_Nova_di_Athanasius_Kircher_Medicina_and_Storia
 
|Digitization=http://www.academia.edu/5964880/La_scena_di_iatromusica_nella_Phonurgia_Nova_di_Athanasius_Kircher_Medicina_and_Storia
 
}}
 
}}
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=== Abstract<ref>Copied from the journal.</ref>===
 +
With the aim of deepening our knowledge of tarantism’s iconographic tradition, the contribution studies the scene of the ''Typus Tarantiacorum Saltantium'' published by Athanasius Kircher within his ''Phonurgia Nova'' (1673). With this image Kircher intended to offer a visual contribution to the understanding of the powerful effects of music. Differently from other mythical narratives of music therapy, the case of tarantism allowed him to concretely demonstrate the effectiveness of the musical method. In the iatromusical scene from his ''Phonurgia Nova'', though, characters are represented not in a realistic context, but rather in a mythical-Arcadic dimension. Kircher may have made this choice with the scope of legitimating the folk tradition, by projecting it into the horizon of antiquity.
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=== References===
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<references/>
 +
 +
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Latest revision as of 11:22, 19 February 2020

Cavicchi, Camilla. La scena di iatromusica nella Phonurgia Nova di Athanasius Kircher. (2013).

Name(s) Cavicchi, Camilla
Title La scena di iatromusica nella Phonurgia Nova di Athanasius Kircher
Place of printing
Printer
Year 2013
Language(s) ita
Contained in Medicina & storia, 13 (2013), pp. 75-88
Bibliographic level Paper in journal
Catalogue description
Key Concept(s)
Distinction(s)
Keyword(s)
Cited in
Digitization http://www.academia.edu/5964880/La scena di iatromusica nella Phonurgia Nova di Athanasius Kircher Medicina and Storia


Abstract[1]

With the aim of deepening our knowledge of tarantism’s iconographic tradition, the contribution studies the scene of the Typus Tarantiacorum Saltantium published by Athanasius Kircher within his Phonurgia Nova (1673). With this image Kircher intended to offer a visual contribution to the understanding of the powerful effects of music. Differently from other mythical narratives of music therapy, the case of tarantism allowed him to concretely demonstrate the effectiveness of the musical method. In the iatromusical scene from his Phonurgia Nova, though, characters are represented not in a realistic context, but rather in a mythical-Arcadic dimension. Kircher may have made this choice with the scope of legitimating the folk tradition, by projecting it into the horizon of antiquity.

References

  1. Copied from the journal.