Difference between revisions of "Bibliography:AKC Bibliography 0070"
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|Year=2004 | |Year=2004 | ||
|Language=ita | |Language=ita | ||
| − | |Contained in=Nuncius (Annali di storia della scienza), anno XIX (2004) fasc. 1, | + | |Contained in=Nuncius (Annali di storia della scienza), anno XIX (2004) fasc. 1, 297-356 |
|Bibliographic level=Paper in journal | |Bibliographic level=Paper in journal | ||
|Keyword(s)=Kircherian Museum; Roman College | |Keyword(s)=Kircherian Museum; Roman College | ||
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| + | === Abstract === | ||
| + | At the origin of the Roman College Museum lies the scientific and experimental collection of the Jesuit Athanasius Kircher (1602-1680). Through the testamentary legacy of Alfonso Donnino (1651), the Museum was enriched by a collection of antiquities, portraits, rare and precious objects. Through Kircher's correspondence, the notarial documentation and Filippo Bonanni's ''Notizia circa la Galleria del Collegio Romano'' (1716), the paper presents the history and fortune of the famous museum from 1651 to the first half of the XVIII century. | ||
Latest revision as of 10:15, 9 July 2020
Bartola, Alberto. Alle origini del Museo del Collegio Romano: documenti e testimonianze. (2004).
| Name(s) | Bartola, Alberto |
|---|---|
| Title | Alle origini del Museo del Collegio Romano: documenti e testimonianze |
| Year | 2004 |
| Language(s) | ita |
| Contained in | Nuncius (Annali di storia della scienza), anno XIX (2004) fasc. 1, 297-356 |
| Bibliographic level | Paper in journal |
| Keyword(s) | Kircherian Museum; Roman College |
Abstract
At the origin of the Roman College Museum lies the scientific and experimental collection of the Jesuit Athanasius Kircher (1602-1680). Through the testamentary legacy of Alfonso Donnino (1651), the Museum was enriched by a collection of antiquities, portraits, rare and precious objects. Through Kircher's correspondence, the notarial documentation and Filippo Bonanni's Notizia circa la Galleria del Collegio Romano (1716), the paper presents the history and fortune of the famous museum from 1651 to the first half of the XVIII century.
