Difference between revisions of "Bibliography:AKC Bibliography 0291"
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{{AKC Bibliography entries | {{AKC Bibliography entries | ||
| − | |Name(s)=Steymberg, Ilse | + | |Name(s)=Steymberg, Ilse |
|Title=<i>The application of fractal geometry and self-similarity to art music</i> | |Title=<i>The application of fractal geometry and self-similarity to art music</i> | ||
|Year=2014 | |Year=2014 | ||
| − | |Language= | + | |Language=eng |
|Bibliographic level=Dissertation or thesis | |Bibliographic level=Dissertation or thesis | ||
|Keyword(s)=Arca musarithmica; Organum mathematicum | |Keyword(s)=Arca musarithmica; Organum mathematicum | ||
|Digitization=https://tinyurl.com/y8gaz66v | |Digitization=https://tinyurl.com/y8gaz66v | ||
}} | }} | ||
| − | This dissertation cites two of Kircher's machines: the ''Arca musarithmica'' and the ''Organum mathematicum'' (the focus is on the music section). The author quotes the contributions of Jim Bumgarner | + | === Notes === |
| + | This dissertation cites two of Kircher's machines: the ''Arca musarithmica'' and the ''Organum mathematicum'' (the focus is on the music section). <br/> | ||
| + | The author quotes the contributions of [[AKC Bibliography 0292|Jim Bumgarner, ''Kircher's mechanical composer: a software implementation'']] ([https://tinyurl.com/yc7o7ggd available here]) and Deirdre Loughridge, ''The music of a man-computer symbiosis'' ([https://tinyurl.com/yarzwqfv available here]). | ||
Latest revision as of 10:15, 9 July 2020
Steymberg, Ilse. The application of fractal geometry and self-similarity to art music. (2014).
| Name(s) | Steymberg, Ilse |
|---|---|
| Title | The application of fractal geometry and self-similarity to art music |
| Year | 2014 |
| Language(s) | eng |
| Bibliographic level | Dissertation or thesis |
| Keyword(s) | Arca musarithmica; Organum mathematicum |
| Digitization | https://tinyurl.com/y8gaz66v |
Notes[edit]
This dissertation cites two of Kircher's machines: the Arca musarithmica and the Organum mathematicum (the focus is on the music section).
The author quotes the contributions of Jim Bumgarner, Kircher's mechanical composer: a software implementation (available here) and Deirdre Loughridge, The music of a man-computer symbiosis (available here).
