Difference between revisions of "Bibliography:AKC Bibliography 0295"

Revision as of 15:27, 22 November 2017

Fiore, Camilla S.. Athanasius Kircher and Landscape between Antiquity, Science and Art in the Seventeenth century. (2016).

Name(s)	Fiore, Camilla S.
Title	Athanasius Kircher and Landscape between Antiquity, Science and Art in the Seventeenth century
Place of printing
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Year	3 2016
Language(s)	eng
Contained in	Czech and Slovak Journal of Humanities (CSJH)
Bibliographic level	Paper in journal
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 |Contained in=Czech and Slovak Journal of Humanities (CSJH)
 |Bibliographic level=Paper in journal
-|Keyword(s)=Landscape; Antiquity; Science; Fossils; correspondence; Hieroglyphics; Athana-sius Kircher; Salvator Rosa; Claude Lorrain; Ovidio Monatalbani; Roman Countryside; Etruria; Volterra; Curzio Inghirami; Ra ﬀ  ele Ma ﬀ  ei; Naturalism; Archeological Landscape; Latium; Ales-sandro VII ChigiIn  Applausum , a   poem composed by the Flemish author Joost Van Vondel (1587–1679) celebra-ting the publication of the encyclopedia Oedipus Aegyptiacus,  Genio Mercurio defends himself from the accusation made by Pope Innocent X (1644–1655) of altering the essence of the divine teaching by forcing it into the obscure symbolism of hieroglyphics.Innocenzo X: Forse v’era bisogno dipositare la scienza in un marmo, ò sasso variamente in-taccato? Non è la natura un perpetuo lume, che palesemente ci fa scernere Dio, sua sapienza, sua bontà, e podestà. […]; ne vi è luogo dove apertamente non si possi Dio à prima giunta con l’intelletto apprendere, essendo il libro della Natura un manifesto eologia, ma le serve, come fantesca al suo signore, poiché d’altro non ci ammaestra che notorizzare la Natuola gandezza di Dio, nsagelio, o  ﬁ neva ne’ miei Gerogli ﬁ ci,
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