Radius astronomicus - Revision history

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Visconti06 at 11:23, 10 February 2017

2017-02-10T11:23:44Z

Visconti06 at 11:23, 10 February 2017

2017-02-10T11:23:11Z

Visconti06: Created page with "Name commonly used since the fifteenth century (in Latin, radius astronomicus) to indicate the astronomical variant of the more common cross-staff. '''Inventor''' Pietro Apian..."

2017-02-10T11:22:51Z

Created page with "Name commonly used since the fifteenth century (in Latin, radius astronomicus) to indicate the astronomical variant of the more common cross-staff. '''Inventor''' Pietro Apian..."

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Name commonly used since the fifteenth century (in Latin, radius astronomicus) to indicate the astronomical variant of the more common cross-staff.
'''Inventor'''
Pietro Apiano
Historic Period
1545
'''Description
'''Instrument for astronomical and terrestrial measurements. Variant of the cross-staff or Jacob's staff developed by Pietro Apiano (1533, Introductio geographica) and described later by Reiner Gemma Frisius (1545). The main staff could be either 2 or 4 cubits long (approx. 90 or 180 cm) and was divided into 4200 parts. The cross-staff, which could also slide laterally in a guide, was half this length and was divided into 2100 parts. On one side of each staff (having a square section of approx. 2 cm per side) was the division into degrees used to measure angles. Gemma Frisius describes in detail its topographical applications but in Chapter XIII he also mentions its use in perspective drawing: "Nonetheless, I will not discuss how some painter, standing at an elevated position, can portray by means of the optical principles a fortress or a church or a city (if he so desires) with the aid of our radius. This is an operation that can be deducted by any intelligent person both from what has been said, and from what will be said later. I must mention, however the great ease and advantage that some architect or painter can find in our instrument if... he desires to represent graphically in a painting the entire façade of a building standing before him, in accordance with the symmetry of its parts".

← Older revision		Revision as of 11:28, 28 October 2019
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	Instrument for astronomical and terrestrial measurements. Variant of the cross-staff or Jacob's staff developed by Pietro Apiano (1533, Introductio geographica) and described later by Reiner Gemma Frisius (1545). The main staff could be either 2 or 4 cubits long (approx. 90 or 180 cm) and was divided into 4200 parts. The cross-staff, which could also slide laterally in a guide, was half this length and was divided into 2100 parts. On one side of each staff (having a square section of approx. 2 cm per side) was the division into degrees used to measure angles. Gemma Frisius describes in detail its topographical applications but in Chapter XIII he also mentions its use in perspective drawing: "Nonetheless, I will not discuss how some painter, standing at an elevated position, can portray by means of the optical principles a fortress or a church or a city (if he so desires) with the aid of our radius. This is an operation that can be deducted by any intelligent person both from what has been said, and from what will be said later. I must mention, however the great ease and advantage that some architect or painter can find in our instrument if... he desires to represent graphically in a painting the entire façade of a building standing before him, in accordance with the symmetry of its parts".		Instrument for astronomical and terrestrial measurements. Variant of the cross-staff or Jacob's staff developed by Pietro Apiano (1533, Introductio geographica) and described later by Reiner Gemma Frisius (1545). The main staff could be either 2 or 4 cubits long (approx. 90 or 180 cm) and was divided into 4200 parts. The cross-staff, which could also slide laterally in a guide, was half this length and was divided into 2100 parts. On one side of each staff (having a square section of approx. 2 cm per side) was the division into degrees used to measure angles. Gemma Frisius describes in detail its topographical applications but in Chapter XIII he also mentions its use in perspective drawing: "Nonetheless, I will not discuss how some painter, standing at an elevated position, can portray by means of the optical principles a fortress or a church or a city (if he so desires) with the aid of our radius. This is an operation that can be deducted by any intelligent person both from what has been said, and from what will be said later. I must mention, however the great ease and advantage that some architect or painter can find in our instrument if... he desires to represent graphically in a painting the entire façade of a building standing before him, in accordance with the symmetry of its parts".
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 Name commonly used since the fifteenth century (in Latin, radius astronomicus) to indicate the astronomical variant of the more common cross-staff.
 '''Inventor'''
 Pietro Apiano
 Historic Period
 '''Description'''
 Instrument for astronomical and terrestrial measurements. Variant of the cross-staff or Jacob's staff developed by Pietro Apiano (1533, Introductio geographica) and described later by Reiner Gemma Frisius (1545). The main staff could be either 2 or 4 cubits long (approx. 90 or 180 cm) and was divided into 4200 parts. The cross-staff, which could also slide laterally in a guide, was half this length and was divided into 2100 parts. On one side of each staff (having a square section of approx. 2 cm per side) was the division into degrees used to measure angles. Gemma Frisius describes in detail its topographical applications but in Chapter XIII he also mentions its use in perspective drawing: "Nonetheless, I will not discuss how some painter, standing at an elevated position, can portray by means of the optical principles a fortress or a church or a city (if he so desires) with the aid of our radius. This is an operation that can be deducted by any intelligent person both from what has been said, and from what will be said later. I must mention, however the great ease and advantage that some architect or painter can find in our instrument if... he desires to represent graphically in a painting the entire façade of a building standing before him, in accordance with the symmetry of its parts".