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	<title>Page:Organum mathematicum libris IX. explicatum (1668).djvu/997 - Revision history</title>
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	<updated>2026-04-23T11:54:23Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/997&amp;diff=101654&amp;oldid=prev</id>
		<title>Ginevra Crosignani at 17:05, 19 August 2020</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/997&amp;diff=101654&amp;oldid=prev"/>
		<updated>2020-08-19T17:05:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:05, 19 August 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Page body (to be transcluded):&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Page body (to be transcluded):&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Artificialem Musicam generatim sumptam, Prout tam vocalem, Quam organicam complectitur, subdividere recte possumus in Speculativam, et Practicam. ''Speculativa'' est, quae rationem et causam eorum , quae in Musica occurrunt, contemplatur: ''Practica'', quae eadem exercet. Unde Euclides il libello de Musica utramque compelctendo sic eam definit : ''Musica est scientia contemplandi et exercendi concentum.'' Quare solus ille perfectus est Musicus, qui theoriam cim praxi jungir, et qui non tantum canere et componere novit, sed etiam singulam rerum rationem reddere.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Artificialem Musicam generatim sumptam, Prout tam vocalem, Quam organicam complectitur, subdividere recte possumus in Speculativam, et Practicam. ''Speculativa'' est, quae rationem et causam eorum , quae in Musica occurrunt, contemplatur: ''Practica'', quae eadem exercet. Unde Euclides il libello de Musica utramque compelctendo sic eam definit : ''Musica est scientia contemplandi et exercendi concentum.'' Quare solus ille perfectus est Musicus, qui theoriam cim praxi jungir, et qui non tantum canere et componere novit, sed etiam singulam rerum rationem reddere.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;§. II.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;§. II.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;De Sonis Musicis.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;De Sonis Musicis.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{SidenoteRight|Musici soni.}} SOnus omnis, qui in Musica adhibetur, seu voce fiat humana seu instrumentsi musicis, aut gravis est, aut acutus. Gravem appellant, quando depressus est, seu profundus: Acutum, quando est altus, seu elatus. Uterque comparative talis est ac dicitur, neuter absolute: nam idem sonus, si comparetur cum alio altiore, gravis dicitur; si cum depressiore,acutus. Unde aute oriatur gravitas et acumen tam in voce humana, quam instrumentsi,discussimus in 2. par. Magiae Lib. 6. Syntag. 1. Praelusione 2. §. 2. pag. 260.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{SidenoteRight|&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Musici soni.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;}} SOnus omnis, qui in Musica adhibetur, seu voce fiat humana seu instrumentsi musicis, aut gravis est, aut acutus. Gravem appellant, quando depressus est, seu profundus: Acutum, quando est altus, seu elatus. Uterque comparative talis est ac dicitur, neuter absolute: nam idem sonus, si comparetur cum alio altiore, gravis dicitur; si cum depressiore,acutus. Unde aute oriatur gravitas et acumen tam in voce humana, quam instrumentsi,discussimus in 2. par. Magiae Lib. 6. Syntag. 1. Praelusione 2. §. 2. pag. 260.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sonum Graeci vocant phtongum. Qui si melodiae aptus est, sic definitur an Euclide in sua Musica. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sonus &lt;/del&gt;est concinnus vocis casus ad unam extensionem. Vult dicere, sonum esse vocem in eadem gravitate aut acumine, quo &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;onchoata &lt;/del&gt;fuit, perseverantem sine&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sonum Graeci vocant phtongum. Qui si melodiae aptus est, sic definitur an Euclide in sua Musica. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;S''onus &lt;/ins&gt;est concinnus vocis casus ad unam extensionem.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;Vult dicere, sonum esse vocem in eadem gravitate aut acumine, quo &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;inchoata &lt;/ins&gt;fuit, perseverantem sine&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ginevra Crosignani</name></author>
	</entry>
	<entry>
		<id>https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/997&amp;diff=101648&amp;oldid=prev</id>
		<title>Ginevra Crosignani: /* Not proofread */ Created page with &quot;in Naturalem, et Artificialem. ''Naturalis'' est, quae solo Naturae dictu, sine ullis regulis ac praeceptis Artis, perficitur ab homine. Talis fuit prima Mortalium Musica, seu...&quot;</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/997&amp;diff=101648&amp;oldid=prev"/>
		<updated>2020-08-19T16:04:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Not proofread: &lt;/span&gt; Created page with &amp;quot;in Naturalem, et Artificialem. &amp;#039;&amp;#039;Naturalis&amp;#039;&amp;#039; est, quae solo Naturae dictu, sine ullis regulis ac praeceptis Artis, perficitur ab homine. Talis fuit prima Mortalium Musica, seu...&amp;quot;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;noinclude&amp;gt;&amp;lt;pagequality level=&amp;quot;1&amp;quot; user=&amp;quot;Ginevra Crosignani&amp;quot; /&amp;gt;&amp;lt;/noinclude&amp;gt;in Naturalem, et Artificialem. ''Naturalis'' est, quae solo Naturae dictu, sine ullis regulis ac praeceptis Artis, perficitur ab homine. Talis fuit prima Mortalium Musica, seu voce, seu instrumentis effecta, antequam Musices praecepta erant inventa. Talis quoque apud omnes prope Gentes est plerumque erant inventa. Talis quoque apud omnes prope Gentes est prelumque pstorum, messorum, variorum opificum, dum plures in unum congregati concinunt. ''Artificialis'' est, quae ex Artis praescripto sit, idque vel voce, vel instrumentis. Unde haec duplex est, Vocalis, et Organica seu Instrumentalis.&amp;lt;br&amp;gt;&lt;br /&gt;
Artificialem Musicam generatim sumptam, Prout tam vocalem, Quam organicam complectitur, subdividere recte possumus in Speculativam, et Practicam. ''Speculativa'' est, quae rationem et causam eorum , quae in Musica occurrunt, contemplatur: ''Practica'', quae eadem exercet. Unde Euclides il libello de Musica utramque compelctendo sic eam definit : ''Musica est scientia contemplandi et exercendi concentum.'' Quare solus ille perfectus est Musicus, qui theoriam cim praxi jungir, et qui non tantum canere et componere novit, sed etiam singulam rerum rationem reddere.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;§. II.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;De Sonis Musicis.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
{{SidenoteRight|Musici soni.}} SOnus omnis, qui in Musica adhibetur, seu voce fiat humana seu instrumentsi musicis, aut gravis est, aut acutus. Gravem appellant, quando depressus est, seu profundus: Acutum, quando est altus, seu elatus. Uterque comparative talis est ac dicitur, neuter absolute: nam idem sonus, si comparetur cum alio altiore, gravis dicitur; si cum depressiore,acutus. Unde aute oriatur gravitas et acumen tam in voce humana, quam instrumentsi,discussimus in 2. par. Magiae Lib. 6. Syntag. 1. Praelusione 2. §. 2. pag. 260.&amp;lt;br&amp;gt;&lt;br /&gt;
Sonum Graeci vocant phtongum. Qui si melodiae aptus est, sic definitur an Euclide in sua Musica. Sonus est concinnus vocis casus ad unam extensionem. Vult dicere, sonum esse vocem in eadem gravitate aut acumine, quo onchoata fuit, perseverantem sine&amp;lt;noinclude&amp;gt;&amp;lt;references/&amp;gt; {{TurnPage}}&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ginevra Crosignani</name></author>
	</entry>
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