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	<title>Page:Organum mathematicum libris IX. explicatum (1668).djvu/1027 - Revision history</title>
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	<updated>2026-04-11T04:05:37Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/1027&amp;diff=101714&amp;oldid=prev</id>
		<title>Ginevra Crosignani at 15:47, 20 August 2020</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/1027&amp;diff=101714&amp;oldid=prev"/>
		<updated>2020-08-20T15:47:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:47, 20 August 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Page body (to be transcluded):&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Page body (to be transcluded):&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;§. III.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;§. III.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;''Regulae particulares de b molli.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;''&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;center&amp;gt;''Regulae particulares de b molli.''&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''PRima.'' Tum in cantu duro,tum in b molli,nunquam ponitur b molle, nisi in primo tono cantus duri in Genere Diatonico; in Basi quidem toties,quoties tota tangit lineam b Fa b Mi; quoties vero Bassus percurrit G, toties reliquarum Vocum una habebit b Fa b molle.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''PRima.'' Tum in cantu duro,tum in b molli,nunquam ponitur b molle, nisi in primo tono cantus duri in Genere Diatonico; in Basi quidem toties,quoties tota tangit lineam b Fa b Mi; quoties vero Bassus percurrit G, toties reliquarum Vocum una habebit b Fa b molle.&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Secunda''. In cantu vero molli in Basso exra bFab Mi ordinarie ponitur b molle in secundo tono in E;in reliquis vero Vocibus, Basso constituto in C, b molle ponitur semper in E.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''Secunda''. In cantu vero molli in Basso exra bFab Mi ordinarie ponitur b molle in secundo tono in E;in reliquis vero Vocibus, Basso constituto in C, b molle ponitur semper in E.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ginevra Crosignani</name></author>
	</entry>
	<entry>
		<id>https://gate.unigre.it/mediawiki/index.php?title=Page:Organum_mathematicum_libris_IX._explicatum_(1668).djvu/1027&amp;diff=101712&amp;oldid=prev</id>
		<title>Ginevra Crosignani: /* Not proofread */ Created page with &quot; &lt;center&gt;§. III.&lt;/center&gt;&lt;br&gt; &lt;center&gt;''''Regulae particulares de b molli.''''&lt;/center&gt;&lt;br&gt; ''PRima.'' Tum in cantu duro,tum in b molli,nunquam ponitur b molle, nisi in primo...&quot;</title>
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		<updated>2020-08-20T15:45:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Not proofread: &lt;/span&gt; Created page with &amp;quot; &amp;lt;center&amp;gt;§. III.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt; &amp;lt;center&amp;gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;Regulae particulares de b molli.&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt; &amp;#039;&amp;#039;PRima.&amp;#039;&amp;#039; Tum in cantu duro,tum in b molli,nunquam ponitur b molle, nisi in primo...&amp;quot;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;noinclude&amp;gt;&amp;lt;pagequality level=&amp;quot;1&amp;quot; user=&amp;quot;Ginevra Crosignani&amp;quot; /&amp;gt;&amp;lt;/noinclude&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;§. III.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;''''Regulae particulares de b molli.''''&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
''PRima.'' Tum in cantu duro,tum in b molli,nunquam ponitur b molle, nisi in primo tono cantus duri in Genere Diatonico; in Basi quidem toties,quoties tota tangit lineam b Fa b Mi; quoties vero Bassus percurrit G, toties reliquarum Vocum una habebit b Fa b molle.&amp;lt;br&amp;gt;&lt;br /&gt;
''Secunda''. In cantu vero molli in Basso exra bFab Mi ordinarie ponitur b molle in secundo tono in E;in reliquis vero Vocibus, Basso constituto in C, b molle ponitur semper in E.&lt;br /&gt;
&amp;lt;center&amp;gt;CAPUT VII.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;''De Melopoeia seu Compositione practica Contrapuncti Simplicis per methodum ordinariam.''&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
{{SidenoteRight|''Melopoeia ordinaria Contrapuncti simplicis.''}} Quid sit Contrapunctus Musicus, tam simplex, quam floridus, et coloratus, explicavimus Cap. 5.§. 7. Nunc praxin tradimus simplicem melothetice componendi, hoc est, vocem voci per notarum alterius ad alteram appositionem artificiose jungendi, idque per solas consonantias simplices, methodo ordinaria ab aliis Musurgis observaris solita.&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt;§. I.&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&amp;lt;center&amp;gt; ''Dato Basso, reliquas tres voces componere per consonantias simplices.''&amp;lt;/center&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
SImplices consonantias voco tertiam, quintam, et octavam, quae aliis nominibus vocantur Ditonus, Diapente, et Diapason. Has ut Basi notis superstruas in tribus reliquis Vocibus, Cantu, Alto, et Tenore; sic procede.&amp;lt;br&amp;gt;&lt;br /&gt;
I.  In Palimpsesto forma quatuor Pentagramma; et Bassi Pentagrammum nota juxta Toni electi exigentiam. Deinde reliquarum Vocum Pentagramma signa eo modo, quem Bassi signatura&amp;lt;noinclude&amp;gt;&amp;lt;references/&amp;gt; {{TurnPage}}&amp;lt;/noinclude&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ginevra Crosignani</name></author>
	</entry>
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