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	<id>https://gate.unigre.it/mediawiki-test/index.php?action=history&amp;feed=atom&amp;title=Bibliography%3AAKC_Bibliography_0400</id>
	<title>Bibliography:AKC Bibliography 0400 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://gate.unigre.it/mediawiki-test/index.php?action=history&amp;feed=atom&amp;title=Bibliography%3AAKC_Bibliography_0400"/>
	<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;action=history"/>
	<updated>2026-04-29T19:14:29Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=127636&amp;oldid=prev</id>
		<title>Carolina Vaz de Carvalho at 13:13, 7 April 2023</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=127636&amp;oldid=prev"/>
		<updated>2023-04-07T13:13:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:13, 7 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{AKC Bibliography entries&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{AKC Bibliography entries&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|Name(s)=Bellori, Giovanni Pietro&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Title=&amp;lt;i&amp;gt; Nota delli Musei, Librerie, Galerie &amp;amp; ornamenti di Statue, e Pitture, ne’ Palazzi, nelle Case, e ne’ Giardini di Roma &amp;lt;/i&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Title=&amp;lt;i&amp;gt; Nota delli Musei, Librerie, Galerie &amp;amp; ornamenti di Statue, e Pitture, ne’ Palazzi, nelle Case, e ne’ Giardini di Roma &amp;lt;/i&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Place of printing=Roma&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Place of printing=Roma&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Printer=Appresso Biagio Deuersin, e Felice Cesaretti; Nella Stamperia del Falco&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Printer=Appresso Biagio Deuersin, e Felice Cesaretti; Nella Stamperia del Falco&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Year=1664&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Year=1664&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Language=ita&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Language=ita&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Bibliographic level=Printed (pre-1830)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Bibliographic level=Printed (pre-1830)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Catalogue description=http://id.sbn.it/bid/RMRE017197&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Catalogue description=http://id.sbn.it/bid/RMRE017197&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Keyword(s)=City description; Athanasius Kircher; Kircherian Museum; Roman College&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Keyword(s)=City description; Athanasius Kircher; Kircherian Museum; Roman College&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: ''Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: ''Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;This publication is usually atributed to Giovan Pietro Bellori but the study by Margaret Daly Davis suggests its more likely author to be Fioravante Martinelli. DAVIS, Margaret Daly. Giovan Pietro Bellori and the “Nota delli musei, librerie, galerie, et ornamenti di statue e pitture ne’ palazzi, nelle case, e ne’ giardini di Roma” (1664): Modern libraries and ancient painting in Seicento Rome. Zeitschrift für Kunstgeschichte, v. 68, n. 2, p. 191-233, 2005.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Carolina Vaz de Carvalho</name></author>
	</entry>
	<entry>
		<id>https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=78004&amp;oldid=prev</id>
		<title>Carolina Vaz de Carvalho at 10:50, 23 March 2020</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=78004&amp;oldid=prev"/>
		<updated>2020-03-23T10:50:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:50, 23 March 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;&amp;lt;&lt;/del&gt;Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;gt;&amp;gt;&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Carolina Vaz de Carvalho</name></author>
	</entry>
	<entry>
		<id>https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=77983&amp;oldid=prev</id>
		<title>Carolina Vaz de Carvalho at 10:05, 23 March 2020</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=77983&amp;oldid=prev"/>
		<updated>2020-03-23T10:05:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:05, 23 March 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot; &gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Bibliographic level=Printed (pre-1830)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Bibliographic level=Printed (pre-1830)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Catalogue description=http://id.sbn.it/bid/RMRE017197&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Catalogue description=http://id.sbn.it/bid/RMRE017197&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Keyword(s)=City description; Athanasius Kircher; Kircherian Museum;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Keyword(s)=City description; Athanasius Kircher; Kircherian Museum&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;; Roman College&lt;/ins&gt;;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: &amp;lt;&amp;lt;Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno&amp;gt;&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: &amp;lt;&amp;lt;Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno&amp;gt;&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Carolina Vaz de Carvalho</name></author>
	</entry>
	<entry>
		<id>https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=77979&amp;oldid=prev</id>
		<title>Carolina Vaz de Carvalho: Created page with &quot;{{AKC Bibliography entries |Name(s)=Bellori, Giovanni Pietro |Title=&lt;i&gt; Nota delli Musei, Librerie, Galerie &amp; ornamenti di Statue, e Pitture, ne’ Palazzi, nelle Case, e ne...&quot;</title>
		<link rel="alternate" type="text/html" href="https://gate.unigre.it/mediawiki-test/index.php?title=Bibliography:AKC_Bibliography_0400&amp;diff=77979&amp;oldid=prev"/>
		<updated>2020-03-23T09:56:33Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{AKC Bibliography entries |Name(s)=Bellori, Giovanni Pietro |Title=&amp;lt;i&amp;gt; Nota delli Musei, Librerie, Galerie &amp;amp; ornamenti di Statue, e Pitture, ne’ Palazzi, nelle Case, e ne...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{AKC Bibliography entries&lt;br /&gt;
|Name(s)=Bellori, Giovanni Pietro&lt;br /&gt;
|Title=&amp;lt;i&amp;gt; Nota delli Musei, Librerie, Galerie &amp;amp; ornamenti di Statue, e Pitture, ne’ Palazzi, nelle Case, e ne’ Giardini di Roma &amp;lt;/i&amp;gt;&lt;br /&gt;
|Place of printing=Roma;&lt;br /&gt;
|Printer=Appresso Biagio Deuersin, e Felice Cesaretti; Nella Stamperia del Falco&lt;br /&gt;
|Year=1664&lt;br /&gt;
|Language=ita;&lt;br /&gt;
|Bibliographic level=Printed (pre-1830)&lt;br /&gt;
|Catalogue description=http://id.sbn.it/bid/RMRE017197&lt;br /&gt;
|Keyword(s)=City description; Athanasius Kircher; Kircherian Museum;&lt;br /&gt;
|Digitization=https://books.google.it/books?id=Ms2YxwEACAAJ&amp;amp;pg=PA1#v=onepage&amp;amp;q&amp;amp;f=false&lt;br /&gt;
}}&lt;br /&gt;
The mention to Athanasius Kircher an his museum appears on the description of the ''Collegio Romano, e Casa de PP Giesuiti '', on p. 19: &amp;lt;&amp;lt;Euui il P. Athanasio Chircherio famoso soggetto per tant’opere sue date in luce, col suo Museo ricco di ogni sorte di curiosità magnetiche, mathematiche, mechaniche, e naturali formando vn Theatro dell’arte, &amp;amp; della natura, al quale si è aggiunta la Galeria di Alfonso Donnini Segretario del Popolo Romano con pitture, ed atinchità, &amp;amp; con vno studio di medaglie lasciate dal Cardinale Buoncompagno&amp;gt;&amp;gt;.&lt;/div&gt;</summary>
		<author><name>Carolina Vaz de Carvalho</name></author>
	</entry>
</feed>