Bibliography:AKC Bibliography 0294 - Revision history

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2020-07-09T09:15:55Z

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Lorenzo Mancini: ManciniWiki moved page AKC Bibliography 0294 to Bibliography:AKC Bibliography 0294: Text replacement - "AKC Bibliography" to "Bibliography:AKC Bibliography"

2018-12-10T09:47:23Z

ManciniWiki moved page AKC Bibliography 0294 to Bibliography:AKC Bibliography 0294: Text replacement - "AKC Bibliography" to "Bibliography:AKC Bibliography"

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Lorenzo Mancini at 08:23, 25 January 2018

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 |Year=2016
 |Language=ita
-|Contained in=California Italian Studies, 6 (2016), nr. 1, pp. 1-20
+|Contained in=California Italian Studies, 6 (2016), nr. 1, 1-20
 |Bibliographic level=Paper in journal
 |Digitization=http://escholarship.org/uc/item/02d1r3zm

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 === Abstract<ref>Copied from the journal.</ref>===
 ====Italian====
-La Compagnia del Gesù nei grandi sforzi propagandistici del Seicento trova nelle immagini e nello spettacolo il veicolo privilegiato per la comunicazione e la persuasione. Athanasius Kircher, figura cardine del Seicento, si propone di dominare la selvaggia natura del suono e di farlo attraverso la ''Phonurgia Nova'', che offre una galleria di potenti immagini emblematiche per estetica barocca.Il saggio, grazie alla concessione delle immagini da parte della Biblioteca del Dipartimento di Matematica “Guido Castelnuovo” della Sapienza Università di Roma, si propone di comprendere attraverso l’iconografia kircheriana il fenomeno sonoro e la spettacolarizzazione che ne deriva. La ''Phonurgia Nova''  compie un processo di spettacolarizzazione degli effetti sonori,spesso attraverso macchine e “visioni” applicabili alla realtà teatrale,ambiente di sperimentazione e stupore prediletto nel barocco. Kircher illustra il suono attraverso tavole esplicative, rendendo visibile il fenomeno, dominando così nuovamente il suono attraverso lo sguardo. Il suono viene visto, ammirato e rappresentato: la sua spettacolarizzazione non avviene soltanto attraverso la realizzazione delle macchine sonore o delle “meraviglie” applicabili al teatro, ma anche attraverso l’immagine e la sua appresentazione, creando stupore nell’immaginazione dell’erudita secentesco.
+La Compagnia del Gesù nei grandi sforzi propagandistici del Seicento trova nelle immagini e nello spettacolo il veicolo privilegiato per la comunicazione e la persuasione. Athanasius Kircher, figura cardine del Seicento, si propone di dominare la selvaggia natura del suono e di farlo attraverso la ''Phonurgia Nova'', che offre una galleria di potenti immagini emblematiche per estetica barocca. Il saggio, grazie alla concessione delle immagini da parte della Biblioteca del Dipartimento di Matematica “Guido Castelnuovo” della Sapienza Università di Roma, si propone di comprendere attraverso l’iconografia kircheriana il fenomeno sonoro e la spettacolarizzazione che ne deriva. La ''Phonurgia Nova'' compie un processo di spettacolarizzazione degli effetti sonori, spesso attraverso macchine e “visioni” applicabili alla realtà teatrale, ambiente di sperimentazione e stupore prediletto nel barocco. Kircher illustra il suono attraverso tavole esplicative, rendendo visibile il fenomeno, dominando così nuovamente il suono attraverso lo sguardo. Il suono viene visto, ammirato e rappresentato: la sua spettacolarizzazione non avviene soltanto attraverso la realizzazione delle macchine sonore o delle “meraviglie” applicabili al teatro, ma anche attraverso l’immagine e la sua rappresentazione, creando stupore nell’immaginazione dell’erudita secentesco.
 ====English====

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	The Society of Jesus made great propaganda efforts throughout the seventeenth century and chose the images and the play as a privileged means to communicate and persuade. Athanasius Kircher, a key figure of the seventeenth century, he decided to dominate the wild nature of sound through ''Phonurgia Nova'', which includes a gallery of powerful symbolic images for Baroque aesthetics. The essay, through the grant of the images from the Library of the Department of Mathematics "Guido Castelnuovo" Sapienza University of Rome, aims to understand, through the pictures offered by Kircher, the sound phenomenon and the spectacle that this produces. In ''Phonurgia Nova'' a process of dramatization sound effects takes place, often through machines and "visions" applied to the theatrical reality, as experimental and astonishing environment beloved in baroque. Kircher illustrates the sound through explanatory figures, so to dominate the sound through the eyes. Sound is seen, admired and represented: its spectacle not only takes place through the implementation of sound machines or the "wonders" applied to the theater, but even through images, creating create a sense of wonder in in the erudite person of the seventeenth century.		The Society of Jesus made great propaganda efforts throughout the seventeenth century and chose the images and the play as a privileged means to communicate and persuade. Athanasius Kircher, a key figure of the seventeenth century, he decided to dominate the wild nature of sound through ''Phonurgia Nova'', which includes a gallery of powerful symbolic images for Baroque aesthetics. The essay, through the grant of the images from the Library of the Department of Mathematics "Guido Castelnuovo" Sapienza University of Rome, aims to understand, through the pictures offered by Kircher, the sound phenomenon and the spectacle that this produces. In ''Phonurgia Nova'' a process of dramatization sound effects takes place, often through machines and "visions" applied to the theatrical reality, as experimental and astonishing environment beloved in baroque. Kircher illustrates the sound through explanatory figures, so to dominate the sound through the eyes. Sound is seen, admired and represented: its spectacle not only takes place through the implementation of sound machines or the "wonders" applied to the theater, but even through images, creating create a sense of wonder in in the erudite person of the seventeenth century.
		+
		+	===References===
		+	<references/>

Bibliography:AKC Bibliography 0294 - Revision history

Lorenzo Mancini: Text replacement - "__NOFACTBOX__" to ""

Lorenzo Mancini: Text replacement - ", pp." to ","

ArchivesPUG: /* top */clean up, removed: {{Template:Bibliography_preview}}

ArchivesPUG: /* References */clean up

Lorenzo Mancini: ManciniWiki moved page AKC Bibliography 0294 to Bibliography:AKC Bibliography 0294: Text replacement - "AKC Bibliography" to "Bibliography:AKC Bibliography"

Lorenzo Mancini: Text replacement - "{{AKC" to "{{Template:Bibliography_preview}} {{AKC"

Lorenzo Mancini at 08:23, 25 January 2018

Lorenzo Mancini at 08:21, 25 January 2018

Lorenzo Mancini at 08:21, 25 January 2018

Lorenzo Mancini at 08:20, 25 January 2018

Lorenzo Mancini: Text replacement - "NOFACTBOX" to ""